Wolf Trap Opera 2005

Follow the Director of the Wolf Trap Opera Company as she chronicles a summer in the life of one of America's best young artist training programs.

Friday, July 15, 2005

Designer run-through

Finally. Straight through Giovanni. Again blessed with a remarkable cast. We always feel fairly secure about the vocal chops of our young artists – there’s a range of ability to be sure, but in general, they wouldn’t have gotten this far in the business if they didn’t have solid instruments and techniques. The sheer depth of the musicality is always a crap shoot, though. Hard to discern whether the brilliant performances we hear in audition will successfully translate into full-length featured roles. But the singers and artistic team have really dug deep, and the pay-off is exciting.

Never a summer goes by without begging the indulgences of our favorite ENT. This season’s first (and with any luck, last) episode with vocal indisposition has been weathered. It takes so little for illness, allergy or fatigue to make a dent in voices that are performing the equivalent of vocal high-wire acts every day. The good news is that youth is kind, and young voices heal quickly. The bad news is that early-career singers don’t yet have a lot of experience with weathering these storms. When is a little bit of hoarseness a passing summer allergy or cold, and when is it a career-altering crisis? Fortunately, we’re almost always dealing with the former scenario, and after a few days of panic, the mechanism returns to normal.

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